After Writing 51 Quantity One Hits, Ashley Gorley Is Guiding The Careers Of Nashville’s Songwriters With Tape Room Music


Ashley Gorley has amassed 51 No. 1 hits as a songwriter and when he’s not penning nation songs for Luke Bryan, Carrie Underwood and Thomas Rhett, he serves as the pinnacle of Tape Room Music. The founding father of the Nashville-based publishing firm, Gorley was drawn to the occupation from an early age.

Whereas majoring in Music Enterprise at Belmont College, Gorley says his favourite class was publishing and copyright. Throughout faculty Gorley started writing songs whereas interning at 5 completely different firms together with writer Hamstein Music. He’d spend the vast majority of his time within the tape room the place his job was typing up the lyrics to the demos turned in by the writer’s workers writers. It was these early days in Nashville that impressed the identify of his publishing firm.

“I liked that place,” Gorley tells me of his time within the tape room. “I at all times appreciated that to ensure that me to enter a music again then, I needed to hearken to your entire music. Tape Room is a nod to my previous and the way I got here up and discovered in regards to the enterprise.”

In 2011, Gorley fashioned Tape Room Music. A publishing firm with a concentrate on artist growth, since its launch Tape Room Music’s writers have produced 23 No. 1 songs. Gorley says it was at all times a dream of his to signal writers, however he didn’t need to pursue an organization till he had success of his personal. By 2011, Gorley had seven No. 1 nation songs together with Underwood’s “Don’t Overlook to Bear in mind Me,” Hint Adkins’ “You’re Gonna Miss This” and Brad Paisley’s “Begin a Band,” and felt that he might assist mentor and steer the careers of most of the songwriters and artists he signed, together with extra lately newcomers Avenue Beat. He ran the corporate himself till 2017, when he introduced on GM Blain Rhodes and VP Inventive Kelly Bolton.

“I am very passionate in regards to the publishing facet and mentoring and serving to different writers and I undoubtedly get a unique sort of success — and I’d say at this level extra success — by one in every of my writers getting their first or second hit that adjustments their lives,” he says. “That basically satisfies me in a manner that writing one thing myself with an artist doesn’t.”

Gorley served as an early champion of Avenue Beat, the trio whose newest single “F2020” has turn into a viral hit on TikTok and subsequently pop radio with over 15 million world streams inside a month of its launch. Gorley credit the band for its “uncooked expertise,” honesty and penning songs about distinctive subjects nobody else is writing about.

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“They had been a wild hybrid of pop nation and they didn’t want my assistance on the songs,” he says of Avenue Beat, who he signed as an artist in partnership with Dennis Leisure and now co-venture with Massive Machine Label Group. “That was actually thrilling to assume I might assist them extra on the label facet. With them, it’s guiding them and discovering them co-writing alternatives. Ultimately, the important thing was determining what style they had been meant to be in. ‘F2020’ was the primary music the place we fully took the reins off and mentioned, ‘Do no matter you want. Do not attempt to make your music nation.’ That verse/refrain of that music popped up and earlier than you knew it, they had been scrambling to complete the remainder of the music and it was out two weeks later.”

Covid-19 has modified the character of the publishing trade from in-person to Zoom co-writes. Consequently, Gorley says he’s making an attempt to work with every of his writers as people by establishing classes that work finest for every author through the pandemic.

“We’ve tried to press ahead. We’re hooking up writers on Zoom or in particular person if that’s one thing they’re snug with. We have truly been capable of hit the fuel throughout this time. I’ve written extra songs throughout this stretch than I’ve ever written,” he says. “I feel I’ve had extra songs recorded than any six-month stretch of our enterprise … Zoom makes you write quicker. It’s hyper-focused since you don’t need to have a look at a display for 10 hours.”

Gorley lately celebrated his 51st No. 1 music with Lee Brice’s “One in all Them Ladies.” He penned the music with Brice, Tape Room Music’s Ben Johnson, and Dallas Davidson. The nation music has turn into Tape Room’s 23rd hit.

“That was an enormous milestone for us,” says Gorley, who was lately named Songwriter of the 12 months on the Nashville Songwriter Awards for the fifth time. Nearly all of Tape Room’s workers writers have had a latest No. 1 music and Gorley credit the success to sustaining a small firm the place he can work with every of the writers individually. Moreover, he talks to every author day-after-day and hears each music they flip in.

“I by no means need it to get so massive that I don’t know what’s happening with them. From the very starting, I at all times had a rule in my head: I am not going to signal extra folks till these folks attain a sure stage of success that I’ve presently,” he says. “What I get probably the most glad with is figuring out that we will hit that mark. I’d love for my writers to have extra success than me. That may be the last word … I really like the place we’re and I am excited to see the way it grows and what occurs within the subsequent couple of years.”

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